Every Girl’s Dream

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Most little girls grow up learning that for one day in her life, she will be a princess. Everyone’s eyes will be on her, as she will be the most beautiful one of all. After this day, her life will be transformed: the caterpillar will become the butterfly! She believes this dream with all her heart, and she shares it with her friends…sometimes even her friends that happen to be boys. The little girl’s dream of being a bride is sometimes dreamed of by boys as well.

After all, it’s just a costume, isn’t it?

(gracias a Pablo por su creatividad)

Bor

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My friend Bor Pungerčič came to visit me and Barcelona for a few days. He lives in Ljubljana and missed the sunshine here. After many coffees, long talks and strolls through the city, he’s now back at the curatorial helm of Zavod Big, Slovenia’s most important design and architecture resource.

Euskadi

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It has been a long time since I’ve been on a roadtrip. And I love roadtrips. It was my first time in Euskadi (Basque Country) and so…I decided not to be weighed down by the ability to take 1234476 photos of all the beautiful things that caught my eye. So I took my Dad’s old Praktica that was brought back to life by an old man in Sarajevo after being dead for the last 20 years. I only took one roll film with me. So I could only stop and record 24 moments. The rest of the moments, I would have to live instead.

The Secret Life of a Moustached Transvestite

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Gender is a performance. It has been said so many times in the past that I am bored of hearing it. But why are we not over gender yet? Really and honestly, I have become bored of gender. It really doesn’t interest me anymore.

My friend Pablo likes to wear high heels. He says they are comfortable. I threw out my high heels years ago. I went to some academic lecture at University of Toronto, where the speaker argued in a very offhand and relaxed way that high heels are instruments of imprisonment. They completely take away your spontaneity because you put them on before leaving the house knowing and calculating exactly how many steps you are gonna take that night: not more and not less. You leave the house in your killer 6inch heels, prepared to walk from your house to your car, from your car to the restaurant, from the restaurant to your car, and back home. If plans change to include an impromptu 3 hour stroll through the city…which may possibly involve walking through a park (and oops! it rained earlier that day) you would not be able to do it. Wearing high heels means that your actions are pre-meditated. And so…life slips by because you literally can’t stand to walk.

I find it interesting when men adopt the symbol of femininity. The same objects that have limited our spontaneity, or that have kept us preoccupied with irrelevancies in place of the important, now represent freedom for men who are attempting to re-write the rules. Personally, I feel relieved to see a man wearing makeup or high heels because it means I now don’t have to. I especially feel relieved when said heels and makeup are worn with a very hairy moustache. It adds such a nice light touch of irony to the whole thing. And takes away much meaning from these symbols.

And so, my dear friend Pablo, I will leave the high heels to you. I am not man enough to endure the pain.

On Breasts

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It’s getting ‘cold’ here in Barcelona, and it’s been a few weeks since I have seen breasts that were not my own. I specifically remember the last time because I was shivering in my sweater, jean jacket, and suede boots as I attempted to enjoy the ‘sea breeze’. My scarf was hanging onto my neck for dear life. But, here was this woman, wearing nothing but a bikini bottom and delightfully running into the sea. Clearly she was Nordic, and so were her breasts. She looked out of place on the seashore in early November, not because she was topless but because to locals it is now Winter, and Winter requires that we wear clothes. Lots of them.

I’ve thought a lot about breasts since moving to Barcelona. And since I live 7 minutes away from the (mostly gay and nude) beach, I found myself thinking about breasts on a daily basis. As anyone who has lived in North America knows, seeing breasts in public space takes some getting used to. It was illegal for women to go topless in Toronto until a few years ago. Given this fact, it is normal to see young North American men freaking the hell out when they get to the beaches of Europe (identifying features: they are the ones wearing bathing trunks down past their knees, standing in a circle, with their heads flailing about unable to focus on a given point). The young women of North America also freak out, because they can finally get an even tan (identifying feature: they are the ones with brown skin, white breasts and an uncertain smile on their lips).

The thing that is the most interesting to me about all of this is not the breasts themselves, but how groups of local friends and family (men, women, and children) can all hang out on the beach together and not have a heart attack because they are in the presence of the naked breasts of their mother, sister, friend, or girlfriend. Can we de-sexualize breasts to this extent!? Can we actually make them not matter?

This summer I noticed a change in my own perception of breasts. I had become so used to seeing them that the presence of covered ones actually made me see them as sexual objects. But that is the case with all things forbidden and out of sight: they become desirable and fetishized. A naked body is simply a body; no part of the body gains importance over another. However, a selectively covered body gives importance to the parts that it is selectively covering. Those parts gain a particular meaning. By covering the breasts on the beach so as not to draw attention and supposedly arouse sexual desire, we are actually sexualizing a public space that does not need to be sexualized.

hammer or mirror?

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Is art a mirror reflecting the world or is it a hammer that shapes it? I like to think it is a very shiny hammer, that reflects as it shapes. Because the world is dynamic, and so is art…and clearly, so is the artist who is shaping or reflecting through their art.

ways I have seen the world

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I have looked through different windows in my life; both literal ones as well as metaphoric ones. Some of these windows I have claimed as my own, and others I always viewed with suspicion. Regardless of my feelings, these windows framed my view of the world, limited or expanded my view, created a space of tranquility or of chaos. What follows are three windows that have shaped my life.

the first window that was truly mine; it looked onto Wychcrest St. in Toronto

the window in Barcelona that makes me feel protected and I fought so hard to have: overlooking the interior lightwell in Poblenou

the window that changed many of my views: overlooking the neighbourhood of Čengić Vila in Sarajevo

 

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